Film making is a practice that takes much time. More so it often takes much cash or much ingenuity. Or both. Mostly both.
With that in mind, Steve and I embarked on our creative quest last Thursday in order to dissipate the possibility of our low budget affecting the quality of our film. First on the list - we needed a wheelchair.
One may ask, "What the hell for?"
Well - and let me get my expert filmmaker goggles on with +3 perception for this - because camera movement is particularly important in any film production and good,
smooth movements only make a film more spectacular. Oftentimes, with only a tripod at hand, it's difficult to get those fluid motions in and therefore ... the wheelchair. It allows for dolly-ins, dolly-outs, tracks and pans without giving off the impression we're watching a home video.
Obviously, wheelchairs are expensive and can't usually be obtained for artistic purposes. So we decided to pay a good old visit to The Salvation Army thrift store. For those of you in the dark - I have no idea how army surplus stores work but I just know that everything is second hand and cheaper. Being the bratty West Island child that I've cultivated myself to be, I don't go there. Usually.
We found our wheelchair at the thrift store on Notre-Dame. Steve looks it over, finds a sticker bearing the number twenty, "Twenty bucks - you know, great. Because that's exactly how much I have in my wallet."
A green Queen Elizabeth for a wheelchair? Yeah right. Even I'm not naive enough to believe that. But I don't say anything quite yet. Steve is wheeling it around, running this way and that and finally, exclaiming, "Shit - this is perfect. Want to take a ride?"
"It's totally not twenty dollars." I smile, biting my lower lip.
"Yeah, I know." He begins trying to fold it. I watch him a moment, amused. Ever see a very well-built young man force like a bull trying to collapse a wheelchair? He was even doing the weird groaning noises.
After fully exploring the capabilities of the chair we begin pacing around it. There are two other price tags, less damaged and both clearly read "220". Yeah. That's more like it.
"Hmm, I'm not paying $220." I declare.
"Of course not." And then he smirks, "What if I just ..." He begins picking away at the second price tag, removing the first two. He moves onto the third and does the same, "Oh ... look ... twenty bucks."
I gape at him, "Uhm, buddy - that's totally not going to work."
He scoffs, "What the fuck are they going to do? Scan the barcode?"
"They're going to know - it's a wheelchair!"
"We'll try."
I can't, for the life of me, act innocent when I'm supposed to. If I could, I'd be in trouble a whole lot less, "And if it doesn't work? Are you going to bitch and whine that they're obligated to give it to you for the price you see?"
"Well, no, I won't be an asshole about it." Steve begins wheeling it to the cash. I sigh and follow suite, "Ah, excellent. She looks young and impressionable." He remarks of the cashier.
Unfortunately, she is not as he envisioned, "What does it say on the tag?" She asks.
"Twenty dollars." He replies, very suave - very casual.
"That's not right." She calls over another woman. Said other woman waddles over, checks all three price tags and confirms that it is indeed twenty dollars but the young woman doesn't let up, "No, that's impossible." She's getting wise. And I think the worst part of it all was Steve and I with our designer jeans, sunglasses and overall appearance of two nasty little rich kids. I feel ... like an asshole.
They bicker but finally, the cashier gives up. She punches in 20.00. I look into Steve's eyes for just a moment because the tension is just too much to bear, "Is there tax on that?" I see him turn away to ask. I almost laugh out loud. Turns out - no tax.
We walk out into the disgusting heat of Montreal pinching our lips together to keep away the huge grins just yearning to crack. As soon as the door shuts behind us, I begin shaking my head, "We just swindled a non-profit organization out of two hundred bucks."
"That ... was amazing!"
"How do you feel?" I ask.
"Like I'm ... not going to lose sleep over it."
"I'm going to have nightmares tonight." With that big-ass smile on my face, I'm sure I'm believable.
He laughs at me, "Are you serious?"
"We just ... we ... like ... the girl totally knew."
We load up the chair in his trunk and get inside the car, "Look - they clearly need to get a better pricing system." Steve begins to argue.
"And plus, we're not up to mischief with this - we're going to use it to advance our filming careers." I pipe in.
"Right - we're using it for artistic purposes."
"Yeah." I pause, "We're ... trying to justify ourselves, aren't we?"
"Yeah."
A strange kind of excitement invigorates me for a moment, "Man - that was so cool!"